Films By Web

When five high school students, Andrew, John, Allison, Brian, and Claire, meet in detention one day. The principal wants them to write an essay, and they think they are in for a boring 8 hours of doing nothing. At first, they argue and hate each other, but after smoking some marijuana, they pour their hearts out to each other, and tell about their fears, secrets, and their deepest emotions, and problems.

A new family moves into the house on Elm Street, and before long, the kids are again having nightmares about deceased child murderer Freddy Krueger. This time, Freddy attempts to possess a teenage boy to cause havoc in the real world, and can only be overcome if the boy’s sweetheart can master her fear.

Film adaptation of street tough Jim Carroll’s epistle about his kaleidoscopic free fall into the harrowing world of drug addiction. As a member of a seemingly unbeatable high school basketball squad, Jim’s life centers around the basketball court and the court becomes a metaphor for the world in his mind. A best friend who is dying of leukemia, a coach (”Swifty”) who takes unacceptable liberties with the boys on his team, teenage sexual angst, and an unhealthy appetite for heroin — all of these begin to encroach on young Jim’s dream of becoming a basketball star. Soon, the dark streets of New York become a refuge from his mother’s mounting concern for her son. He can’t go home and his only escape from the reality of the streets is heroin for which he steals, robs and prostitutes himself. Only with the help of Reggie, an older neighborhood friend with whom Jim “picked up a game” now and then, is he able to begin the long journey back to sanity.

What’s Eating Gibert Grape is a beautifully shot movie of tenderness, caring and self-awareness that is set amongst the fictional working class one street town Endora. Centred around the Grape family Ellen and Amy and their two brothers Arnie and Gilbert, who, along with their morbidly obese widowed mother Bonnie Grape are striving to survive and coexist with the absence of a father figure, low wage work and seventeen-year-old Arnie’s severe mental condition. It is in this awkward and extremely one sided affair that the unfortunate Gilbert (Johnny Depp) has to constantly, while working for the town’s slowly dying Convenience Store, take care of his younger brother, played to such depth and conviction by a very young Leonardo DiCaprio. Gilbert’s life, his future, is thwarted he know this, but it is in this Guardian Angel that his love and bond for Arnie cannot, and will not, be let go. That is until the free spirit of Becky (Juliette Lewis) arrives in town, and with her grandmother are stranded for the week while waiting for parts for their vehicle. This realisation unties new feelings, new thoughts and new hope for the put upon Gibert, something new is eating Gilbert Grape.

An undercover narc dies, the investigation stalls, so the Detroit P.D. brings back Nick Tellis, fired 18-months ago when a stray bullet hits a pregnant woman. Tellis teams with Henry Oak, a friend of the dead narc and an aggressive cop constantly under the scrutiny of internal affairs. They follow leads, informants turn up dead, Nick’s wife is unhappy he’s back on the street, Henry’s protective of the dead cop’s wife. Nick reads and re-reads the case file, broods, watches Oak’s heavy-handed style, sometimes joining in. The brass want to close out the case, Nick and Henry stay on it, and bits of evidence point them to an auto body shop. What actually happened; will Nick ever know?

Meet Roy and Frank, a couple of professional small-time con artists. What Roy, a veteran of the grift, and Frank, his ambitious protégé, are swindling these days are “water filtration systems,” bargain-basement water filters bought by unsuspecting people who pay ten times their value in order to win bogus prizes like cars, jewelry and overseas vacations—which they never collect. These scams net the flim-flam men a few hundred here, another thousand there, which eventually adds up to a lucrative partnership. Roy’s private life, however, is not so successful. An obsessive-compulsive agoraphobe with no personal relationships to call his own, Roy is barely hanging on to his wits, and when his idiosyncrasies begin to threaten his criminal productivity he’s forced to seek the help of a psychoanalyst just to keep him in working order. While Roy is looking for a quick fix, his therapy begets more than he bargained for: the revelation that he has a teenage daughter—a child whose existence he suspected but never dared confirm. What’s more troubling, 14-year-old Angela wants to meet the father she never knew. At first, Angela’s appearance disrupts her neurotic father’s carefully ordered routine. Soon, however, with his own unique spin on parenthood, Roy begins to enjoy a relationship he never dreamed of having with his daughter. But while he develops paternal feelings for the 14-year-old, she’s developing a fascination with Daddy’s questionable career.

A Neo Nazi skinhead, named Derek Vineyard (Edward Norton) goes to jail for 3 years after committing a murder of 2 black guys. In the meanwhile, his younger brother, Danny Vineyard (Edward Furlong) goes in the same way and makes the same mistakes (racism and hatred) his eldest brother did (this is the result of the Neo Nazi environment he grows up into, and the influence Derek left behind). While Derek is in jail he realize that he choose the wrong path. after coming back from jail, Derek try to convince his brother not to go in his own way.

Tommy Callahan Jr. is a slow-witted, clumsy guy who recently graduated college after attending for seven years. His father, Big Tom Callahan, owns an auto parts factory in Ohio. When Tommy arrives back home, he finds he has a position at the factory waiting for him. His dad also introduces Tommy to the new brake pad division of the factory and to Tommy’s soon-to-be stepmother, Beverly, and her son Paul. But when Big Tom dies, the factory threatens to go under unless the new brake pads are to be sold. Therefore, Tommy must go on the road to sell them, along with the assistance of Richard, Big Tom’s right-hand man. Will Tommy save the company, or will the factory, and the town, go under?

Oddball cop and tough guy, Jack Cates is the only survivor of a cop shooting and in hunting down the murderer collects Reggie Hammond from jail for 48 hours. Hammond is oddly motivated to help. The killer is searching for his stash of cash. Cates and Hammond who have the Black-white, cop-crook thing to work out make surprisingly good partners as they navigate through the city looking for their suspect.

The Law Enforcement Technology Advancement Centre (LETAC) has developed SID version 6.7: a Sadistic, Intelligent, and Dangerous virtual reality entity which is synthesized from the personalities of more than 150 serial killers. LETAC would like to train police officers by putting them in VR with SID, but they must prove the concept by using prisoners as test subjects. One such prisoner is ex-cop Parker Barnes. When SID manages to inject his personality into a nano-machine android, it appears that Barnes might be the only one who can stop him.

STAB 3: RETURN TO WOODSBORO is currently in production, and a killer is on the loose cutting corners cast wise. The murders draw a reporter, ex-cop, and young woman to the set of the movie inspired by their life. They soon find out that they are dealing with a trilogy, and in a trilogy…anything can happen.

In order to get out of hock with mobster Billy Walker, restaraunteur-turned-”retrieval expert” Beck has to go down to Brazil and retrieve Billy’s ne’er-do-well archaeologist-wannabe son Travis, who is searching for an ancient gold idol called the Gato del Diablo. This idol is prized by not only the local population as the path to their salvation, but by Cornelius Hatcher, slavedriving operator of the Helldorado mining town who oppresses said population in the name of profits, and Hatcher just won’t let Beck leave with Travis.

Late at night, in an unnamed U.S. city, a solitary man sits at a bus stop. A pregnant woman runs by, pursued by a man with a gun. With reluctance, the man at the bus stop rescues her and assists with the baby’s delivery, while additional pursuers fire at them, including the gang’s particularly nasty leader, an intuitive man named Hertz. Our hero, known only as Smith, determines to save the child and find out why Hertz wants the baby dead. At a local bordello, he tries to employ a lactating hooker to watch the child, but things quickly escalate, and this makeshift family is soon on the run. Heavy metal music calms the baby. Why? A laboratory, a gun factory, and a presidential campaign all figure in Smith’s search for the child’s ultimate safety.

In Los Angeles, Allison Lang is a bored girl from an upper class dysfunctional family that acts and dresses like a slut. Her wealthy boyfriend and friends are totally influenced by the hip-hop culture, behaving like rappers, dressing and imitating their lifestyle. When they decide to drive to East L.A. for fun, they meet a Latin gang of drug-dealers and Allison and her best friend Emily become fascinated with their “gangsta” lifestyle. Later they return to the ghetto to visit and excite Hector and his friends, expecting to join their 16th Street gang. When the guys propose them to have sex as a form of initiation, they change their mind, leading to a tragic consequence.

After a misunderstanding aboard an airplane that escalates out of control, the mild-mannered Dave Buznik is ordered by Judge Daniels to attend anger management sessions run by Doctor Buddy Rydell, which are filled with highly eccentric and volatile men and women. Buddy’s unorthodox approach to therapy is confrontational and abrasive and Dave is bewildered by it. Then, after yet another mishap, Judge Daniels orders Dave to step up his therapy or wind up in jail. So, Buddy moves in with Dave to help him battle his inner demons. Buddy himself has no inner demons since he acts out at every opportunity and that includes making lewd comments about Dave’s girlfriend Linda and goading Dave into confronting every slight, past or present, head-on. But Buddy finally goes too far and Dave must decide whether to crawl back into his shell or stand up for himself. Could it be that Buddy’s confounding and contradictory treatment is just what the doctor ordered?